Creative Communities: Art Works in Economic Development
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Creative Economy. Cultural District Planning. Cultural Facilities and Spaces. Festivals and Performances. Public Art. Public Space. All Creative Economy Projects. Lessons Learned:.
Funding and Resources: Fostering Local Support. Goals and Evaluation: Measuring Market Trends.
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Americans for the Arts: Working with Business. Arts Incubator of the Rockies.
Creative Economy | Exploring Our Town
Chicago Artists Resource. Creative Capital. Global Center for Cultural Entrepreneurship. National Center for the Creative Economy. Springboard for the Arts' Creative Exchange. Related Projects. Virginia G. Arizona Town Hall Report.
The Arts and Economic Development — New Growth Theory New growth theory argues that, in advanced economies, economic growth stems less from the acquisition of additional capital and more from innovation and new ideas. Moreover, as noted in a briefing paper published by the American Planning Association: Economic development is enhanced by concentrating creativity through both physical density and human capital.
By locating firms, artists, and cultural facilities together, a multiplier effect can result. Creatively acknowledging and marketing community assets can attract a strong workforce and successful firms, as well as help sustain a positive quality of life. Arts and cultural activities can draw crowds from within and around the community. Schmitz highlights that the public service activities performed by arts organizations, like arts and science education, are more prolific in cultural tax districts In Chapter 4 Maloney and Wassell case study the Adams Arts Program for the Creative Economy in Massachusetts finding that cross sector collaboration promotes a sense of community cohesiveness, however lack of skills and funding hampered efforts to develop sustainable cultural infrastructure.
Chapters 7, 9 and 10 look statistically at environmental factors related to employment, income and expenditure.
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- NATIONAL ARTS ADMINISTRATION AND POLICY PUBLICATIONS DATABASE (NAAPPD).
All authors evenhandedly present their findings, however it is in the methodological construction of the studies, as well as the assessment of the policy imperatives these studies furnish arts advocates and policy makers with, where the book truly shines a light. Each study does work on anecdotal or casual intuitions that the arts sector have been touting for decades, for example: that the arts are a precursor of economic growth; that support for small-medium not for profit arts organizations is essential to a healthy arts and cultural sector; that arts collaborations promote community cohesiveness; and that more public funding for the arts promotes more private funding.
Each author discusses the many limitations and assumptions that underpin the data sets they use.
Having the methodological and intellectual rigor to construct research investigations to build sound arguments is increasingly vital to a sector that is progressively managerial and business like. The introduction of entrepreneurship literature detailed in this book Chapters 6 and 8 in particular shows that the discourse of cultural economics is inexplicably linked to the discourses of business, brands and management.
I found it interesting that Kushner explicitly states that it is the managerial and leadership activities, not the environmental factors, which affect nascent arts ventures Despite this ambition of providing evidence for change, the books most telling contribution is the reinforcement of hegemonic discourses of arts as a tool for economic development. Platforming the growing generation of scholarly minds investigating the impact of arts on the economic development of cities, this book edited by Dr Michael Rushton Indiana University demonstrates the role of empirical research has to play in crafting sophisticated arguments to bolster the positioning of the creative industries.
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Future studies that lift the lid on the classic assumptions inherent in the economic impact measurement discourses by critically engaging investigations into the power relations inherent in this emerging discipline and how it asserts domination would be very timely. Bibliography Florida, Richard. New York: Basic Books, Florida, Richard. The Rise of the Creative Class Revisited. Paul M. Library of Economics and Liberty. Who Benefits? Who Decides?